Sonnox Oxford Reverb Crack Latest Version Free Download
Sonnox Oxford Reverb Crack is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles that are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analog EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed.
The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analog or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.
The Sonnox Inflator is a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence, and warmth to program material and even provide a headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems.
The Sonnox Transient Modulator is an application that allows a dynamic level of signals to be modified by the transients in the program material over time. The effect is to bring transient events in the program forward or push them into the background, such that the attacks of instruments can be accentuated or softened depending on settings.
The application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments. Such effects are easily achieved with the Transient Modulator because its purpose-designed adaptive processing acts on differential information in the program so that the overall long-term program level is minimally affected and sensitivity to control parameters is drastically reduced.
The functions of the Transient Modulator are adaptive and dependent upon dynamic level changes within the signal. In other words, it will not affect a steady-state signal, such as a continuous tone that does not change in level. Any control signals it develops are purely dependent upon the extent and rate of change of signal levels.
The Deadband knob sets a window below which transient changes will remain unaffected, preventing unwanted modification to lower-level signals. The Overshoot fader sets the period over which dynamic changes occur. The lower values will cause just the initial transients and leading edges of signal changes to be affected. Whereas longer values will increasingly have more effect on the later portions of signal changes.
Sonnox Oxford Reverb plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with the artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiances, room and hall simulations, and sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character.
Sonnox Oxford Limiter has been developed from decades of professional audio experience to provide a very high degree of quality and facility in program loudness control and limiting functions. By employing highly accurate logarithmic side chain processing, along with innovative adaptive timing functionality using look-ahead signal acquisition, the limiter provides exemplary performance, whether one is seeking general transparent level control, program loudness maximization, or heavily applied artistic sound effects.
A new concept is born – a simple and intuitive De-Esser, PLUS access to a much more sophisticated frequency-specific compressor, giving complete control over aggressive frequencies wherever they may be in the audio spectrum. With the Oxford SuprEsser, you can take out unwanted frequency peaks as and when they occur – unlike applying a fixed EQ to the whole channel.
At the heart of the Oxford SuprEsser is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. Around this is built a pair of cross-over filters to make the compressor react only to the defined frequency band. These linear phase filters are modeled on the filters from the Oxford EQ, making the SuprEsser useful for precise mastering work as well as mixing work.
Features:
- Highly featured professional De-Esser
- Linear Phase Dynamic EQ
- Transparently controls aggressive frequencies
- Automatic Level Tracking follows energy levels (no need to automate threshold)
- A large intuitive graphic display makes finding frequencies very easy
- Full Spectrum Operation (20Hz -20KHz)
- Three different ‘Listen to’ modes
- Very easy to use
- Advanced Mode for ultimate control of the Dynamic EQ
- Many creative as well as corrective uses
- Presets giving good starting points
- Unique Enhance section – provides sample value limiting and enhances perceived loudness
- Ability to add harmonic distortion, where artistic style requires
- Variable soft knee control
- Attack and Release controls
- Reconstruction Meter shows ‘actual’ signal rather than sampled signal
- Auto compensate feature – corrects recon errors without losing overall program loudness
- 16 and 24-bit dithering with 5 selectable types
- The user has control over variable depth noise shaping
- 16 presets – some quite extreme!
- Five bands parametric design
- LF and HF Filters provide up to 36dB/Octave
- Four different EQ types
- Fully decamped HF response
- Support for sample rates up to and including 192kHz
- Fully automatable (inc. separate automation for A and B settings)
- Includes six plug-ins in total for optimal DSP usage (Mono and Stereo versions of EQ, Filters, and EQ and Filters).
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